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By 1873, Emile having no immediate family obligations, quit
his job and began to
look for work in the field of
telegraphy and electrical communications. For the next three
years, he traveled around Boston and Milwaukee and
then temporarily settled in New York where he began working in a
chemistry' lab during the day while attending evening
classes at the Cooper Institute (now
Cooper
Union) studying physics and electronics. Emile Berliner was an enthusiastic reader of the works
of technological pioneers including Faraday, Maxwell, Ohm,
Dalton and others.
Berliner and Bell In 1876 when Alexander Graham Bell had invented a crude
but workable telephone, many young engineers most notably,
Thomas Edison turned their creative talents toward
'perfecting' the telephone. Berliner sought to improve the
telephone transmitter and invented a new
'microphone' while he was employed by America Bell Telephone
(ABT) first in New York, then in
Boston.
The first published account of the modern speaking
telephone was given in a paper read by Alexander Graham Bell
before the American Academy of Arts and Sciences in Boston
in the summer of 1876. There was of course much
research and many published papers that described
transmitting and receiving voice before Bell's telephone.
However, like Edison, Bell followed through. He completed a
working product, secured the necessary patents and
financing, manufactured and successfully launched his
product(s) on a wide scale.
It is ironic that Thomas Edison
and Emile Berliner both worked in the same building in Boston but not at
the same time. At
the time Edison decided to join Bell's competitor, Western
Union where he successfully introduced his patented carbon
transmitter, Berliner was working on a similar
transmitter/microphone at American Bell Telephone (ABT) now
known as AT&T. Berliner filed a patent application in 1877. Bell began employing Berliner's design which
overcame distance limitations of the first Bell telephones
and produced greater volume and voice clarity.
The American Bell Telephone Company Headquarters
Bldg to the right still stands in Boston.
Ultimately Bell acquired the rights
to use Edison's design when Western Union lost its first of
several legal battles with the then American Bell Telephone
and in a
disastrous business move, exited the telephony service
business to focus on telegraphy. Although there is evidence that
Edison and Berliner both independently developed a carbon
transmitter based microphone, after more than
decade-long battle, the decision of
Judge Brown in the United States Circuit Court of Appeals in
Boston,
declared Berliner's patent void on February 27,
1901. Berliner maintained until his death that he (not
Edison) was the inventor of the telephone microphone, more
specifically, the variable resistance contact transmitter
while Edison had claimed through documentation, patent
protection and highly skilled legal staff that he invented
the carbon transmitter microphone.
Anyone researching Berliner's archives and
other papers will find overwhelming evidence that Berliner had in fact independently
developed the carbon transmitter microphone in spite of
what the court ruled. As Edison had been involved in many
legal entanglements, perhaps he understood the need to keep the
detailed engineering documentation and notes that have been
used to defend so many subsequent patent and intellectual
ownership battles and which now is used to provide such
accurate details about Edison's work.
It is no coincidence that Thomas Edison (inventor of the
cylinder phonograph) and Emile Berliner (inventor of
the disc
gramophone) and Charles Sumner Tainter (Father of the
Talking Machine, graphophone) would ultimately find a way to store and
retransmit the human voice while conducting
experiments during the development of the telephony
industry. Both Edison and Berliner noted on many occasions
that their work in the development of the telephone was the
catalyst for their respective developments of the phonograph
and gramophone.
Berliner continued work for the then American Bell
Telephone Company in New York (co-incidentally sharing a loft with Edison
Phonograph Company) and Boston (in the same building on the
third floor at 109 Court Street where Edison and Bell had
previously shared
a working lab space). For the next several years
while at Bell Telephone, Emile worked on a variety of solutions in the emerging
telephony industry. Anyone having a serious interest
in the development of the telephone, should know that
Berliner filed several key patents for the contact
telephone, microphones and the telephone system, some of
those patents were the basis of telephony technology
currently in use today.
In late 1880 while living in Boston, Emile filed a patent
for a Photophonic Transmitter, a device related to an
instrument called a 'photophone' (invented by Alexander
Graham Bell and Charles Sumner Tainter) in which a beam of light is
vibrated by a reflector which effects the amount of light
transmitted at each sound vibration. The Bell/Tainter
invention relied on sunlight while Berliner determined that
a man made light source was necessary for reliable
transmission. It's incredible that Berliner was
conducting experiments in optical transmission more than 125
years ago.
While living in Boston, he became an American
citizen and married 21 year old Cora Adler.
Although not generally known to the public and rarely
included in his biographies, in March 1882, Emile after
conducting a variety of
experiments received a patent for an Electric Incandescent
Lamp, an improvement to the carbon filament light bulb.
In early 1884, Emile and Cora left Boston to move to
Washington DC, perhaps to be closer to the Adler family in
Baltimore or perhaps Berliner knew he would reconnect with
old friends such as Charles Sumner Tainter who would soon
set up a laboratory (funded by Bell) in Washington DC.
A slight digression: I can't
help but think of four masters of invention
Bell, Berliner, Edison and Tainter every day when I walk from the
train station to the financial district of Boston.
As I pass by the monument dedicated to the
birthplace of Alexander Graham Bell's telephone, I think of the labs at 109
Court Street where Bell, Watson, Berliner, Edison, Tainter and so
many bright inventor/entrepreneurs co-operated and
competed.
As I walk up Court Street and cross to my
office on State Street, I think of the time when just before
sunrise, Edison found it expedient to get rid of small
bottle of nitro glycerin (blasting oil) by gently lowering it into a catch
basin at the intersection of these streets. I wonder if Edison
knew that many of these catch basins were connected by
hollowed logs, some of which were uncovered and found to be
in tact during the recent 'Big Dig" in Boston?
What else did Edison or others lower into that catch basin?
Berliner and the Gramophone When Berliner set up his independent laboratory, he worked
exclusively on the development of the gramophone. Having
gained much real-world experience in capturing and
transmitting sound vibrations, Berliner believed that
recording vibrations using a lateral-cut groove in an even
depth flat disc provided the most efficient recording
medium.
In 1887 Berliner
patented the gramophone system to
compete with Edison's phonograph and other cylinder
machines (Columbia) that were emerging. From the outset, Berliner
expected to be 'in the content business' meaning his
business focus was the revenue to be earned from selling
records rather than licensing or selling gramophones. His Gramophone Company's primary manufacturing facility
was in Camden, NJ. Today's collectors who are
fortunate to hold any of these early records know that their
recording quality was quite poor and that virtually all of
Berliner's early gramophones and records gave poor results.
In the summer of 1887, Berliner introduced an "Improved
Gramophone" which was fitted with a better motor with a
conventional crank, developed by Eldridge Reeves Johnson.
In 1889, German Toy and Doll manufacturer Kammer & Reinhardt
began manufacturing Berliner's "Toy Gramophone" and five
inch records under the K&R name. The British Library (Sound
Archive) has an 1890 recording of what is believed to be
Emile's voice reciting
Twinkle Twinkle Little Star; Click on this link
and listen to pick up Emile's slight German accent.
This recording is courtesy of the
British Library National
Sound Archive.
In May 1888, Emile Berliner
gave a presentation to the Franklin Institute in which he
made several specific predictions about talking machines.
He described a standard reproducing apparatus, simple in
construction and easily manipulated, will at a moderate
selling price, be placed on the market. Users would
buy an assortment of what he called 'phonoautograms' of
songs, recitations, chorus and instrumental solos or
orchestral pieces. Prominent singers, speakers or
performers may derive an income from royalties on the sale
of their phonoautograms. Collections of
phonoautograms may become very valuable. Languages can be
taught. Addresses - congratulatory, political or
otherwise can be delivered by proxy. A singer may send
her voice and be represented as per programme and
conventions will listen to distant sympathizers, thousands
of miles away.
Twenty five years later in May 1913, Emile
presented a paper that detailed many of the obstacles that
had to be overcome in recording methodology, recording media
and talking machine apparatus. He
describes in detail how after the hand-driven gramophone had
been on the market for a few years, he secured the
co-operation of Mr. Eldridge Reeves Johnson in developing a
motor-driven reproducing machine.
It was not until Berliner and Johnson merged their
engineering talents and companies to form the Victor Machine
Company would the gramophone and lateral cut records
demonstrate "high quality" music reproduction and compete with
Edison cylinder phonographs on performance rather than price
alone. Ultimately, Victor emerged as the front running manufacturer of gramophones and records.
As Berliner had found a trusted business partner Eldridge
Johnson to help him with the engineering and operations of
his venture, he believed developing a relationship with
well-known marketing mogul, Frank Seaman would help him market and distribute his
gramophones and records. Seaman formed the National
Gramophone Company. Frank Morgan Seaman was a longtime
Kodak advertising agent whose reputation as a successful
marketing manager was well known.
Emile Berliner would now rely on three companies.
The United States Gramophone Company based in Washington DC
founded in 1892, held the patents. The Philadelphia based
Berliner Gramophone Company founded in 1895 manufactured the
machines and records, the New York based National Gramophone
founded in 1896 was responsible for U.S. marketing and
distribution. During this period Berliner's
international companies continued to grow. Berliner's British Gramophone Company was founded by
William Barry Owen in England
in 1897. The German Deutsche Grammophon Gesellschaft was
founded in 1898 by Emile's brother Joseph. In 1900 he
organized the Berliner Gram-o-phone Company in Montreal,
Canada.
As the National Gramophone company's revenues increased,
Frank Seaman sought to be more profitable by manufacturing his own
gramophones essentially cutting Johnson out of the deal.
Seaman tried to convince Berliner to terminate his
relationship with Johnson. Berliner stood by his
agreement with Johnson and declined Seaman's offer to set up
a new venture. Seaman continued
distributing Berliner's machines and records while developing his own Zonophone Company to manufacture and
sell disc phonographs and records. Berliner saw
this move as a breach of their original agreement and then
informed Seaman that the exclusive U.S. distribution
agreement was null and void. Berliner then began
distributing his records and machines in the US.
In 1899 Seaman entered into an agreement with Columbia
Phonograph Company who had successfully defended its patents
and ownership of cylinder records and machines against
Edison. In what some consider an unscrupulous move
that would ultimately bring down Berliner's U.S. Gramophone
business, Seaman testified on behalf of Columbia that
the National Gramophone sales infringed upon the rights of
Columbia. Columbia Phonograph Company was successful
in the courts and in the summer of 1900 Berliner was
enjoined from selling 'his own' machines in the United States,
which in turn was
essentially the end of Berliner's U.S. direct business.
Although Seaman is often portrayed at 'the bad guy', some
believe he had no choice because the decisions he made in
the early years wouldn't allow him to enjoy a profitable
business arrangement going forward. Some argue that
had Berliner agreed to some reasonable royalty arrangement
or facilitated a joint-manufacturing arrangement with
Johnson, he would not have lost control of the gramophone
business.
In 1900 Berliner turned over to Eldridge Johnson defense of his U.S. patents
and the control of continued legal battles with Zonophone and Columbia. He then temporarily moved to Montreal where
he still had patent ownership of his designs. He immediately
launched the Berliner Gram-o-Phone Company to manufacture
and sell machines and records for the Canadian market.
In this legal battle, Johnson had everything to lose
(factories, employees, customers, and a well-established
dealer network) if he could not re-establish himself and his
team in a new venture to produce the new and improved
gramophones which he had been developing while exclusively
manufacturing for Berliner. He formed a new company,
the Consolidated Talking Machine Company with his business
partner and attorney Leon Douglass. It was not long
before Frank Seaman again emerged
contesting in court that Johnson was simply a front for the
defeated Berliner. Leon Douglass is credited for
having guided Johnson through a lengthy legal proceeding
that ultimately became a resounding victory for Johnson.
Johnson agreed to desist using
the word 'Gram-o-phone' or alternatively gramophone (thus
effectively establishing Edison's word, 'phonograph' by
default which
since has become the more popular name for the record
playing machine) in the United States. In
British English, the word 'gramophone' is more popularly
used while the word 'phonograph' is generally thought to
mean a cylinder (rather than flat disc) phonograph.
Interesting that in 1957 executives from RCA Victor,
Columbia, MGM, Decca and Capitol in founding the National
Academy of Recording Arts & Sciences chose the Gramophone
derivative 'Grammy' for the coveted recorded music award,
perhaps a similar derivative of the word Phonograph just didn't
sound right.
In 1901 the Consolidated Talking Machine company was
renamed the Victor Talking Machine Company as Berliner and
Johnson expanded their manufacturing supply and license
agreement. Victor Talking Machines (history is presented elsewhere in
the website), ultimately acquired Berliner's Canadian
Gram-o-phone Company. I think William Barry Owen
should be awarded a Grammy!
It's fun to speculate as to how the name Victor Talking
Machines was chosen. Some
believe that Eldridge Johnson chose the name 'Victor' to
reaffirm that the company had finally become the Victor over
the Columbia/Seaman consortium and would remain the Victor
in any subsequent legal battle with others. Later
Victor would become synonymous with the Victor Company, the
Victrola, and RCA Victor and the lesser known JVC, Japan
Victor Company.

Berliner, great humanitarian and more
Although Berliner is best known
for his work in acoustics and more popularly the
gramophone, he
also invented acoustic floor and wall tiles for dampening
sound, particularly useful in concert halls and theatres
which had not yet
benefited from amplified audio.
To
the right is a 1912 photo of Dr. Emile Berliner standing
with the
world's first lightweight internal combustion engine
(his Gyro rotary engine) which later powered several
helicopters which he invented and further developed with his
son Henry A. at the Berliner Aircraft Company.
In 1912, he filed a patent for a
propeller for a flying machine. Six years later he
filed a patent for a helicopter. He was an accomplished
author, violinist, and pianist. He composed the
Columbian Anthem which narrowly missed becoming the United
States' national anthem.
He was a pioneer in the practice of
preventive medicine and an active, effective proponent
government supported preventive health care policies in
connection with the Bureau of Health Education. He
spearheaded a national campaign to convince mothers to
'scald the milk' in an urgent move to protect children from
dangerous diseases that could then be found in the milk supply.
News story: Emile Berliner, The Boston Post, June 25, 1922
"A
former Boston boy, Henry Berliner and his father Emile
Berliner is going after that rich prize of $250,000 offered
by the British Air Ministry for a successful helicopter, and
with characteristic Yankee enthusiasm he expects 'to bring
home the bacon'. A helicopter, you know is a machine
capable of flying straight upward from a space no bigger
than its own bulk - from the roof of one of Boston's high
office buildings, for example - and the apparatus developed
by Emile Berliner and his son Henry is said by experts who
have observed it in test flights at College Park, Md.,
during the past two weeks, to be 'the best of its type yet
invented.'
Emile Berliner, pardon the hackneyed expression needs no
introduction in scientific circles, especially here in
Boston. He stands out as one of the most noted
inventors in the country, and his son Henry A., who
graduated from Massachusetts Institute of Technology in
1918, seems to have inherited his father's inventive
genius".
Emile was an
early proponent of 'women's rights' as he supported the not
yet popular woman's suffrage movement in the U.S. He
believed given the proper education and opportunities,
women could equal men in the sciences.
He created the
Sarah Berliner Research Fellowship in 1909, named for his
mother. This is one of the many global endowments that today give real
evidence that Emile Berliner was a great humanitarian.
When searching files at the United States Patent Office,
researchers will find not only an extensive list of
Berliner's patents, they will find ten times the number of
patents that make reference to a Berliner invention or
process. It was fun to discover that in 1875, Emile
had filed a patent for a necktie fastening device. He
was 24 years old then and had been in the U.S. for less than
five years.
Other Berliner inventions include, a microphone, a carbon
battery, a pnuematic hook (suction cup), electric furnace
generator, a long list of devices associated with flying
machines or more specifically, helicopters. Also, a
contact telephone on May 24, 1881, a telephone system
on March 21, 1882; an incandescent lamp on May 30, 1882, the
'busy signal' for telephones, a meaningful improvement to
the violin's resonance, heat radiating mantel for the
fireplace, a combination telephone & telegraph, a
harmonic telegraph - essentially a way to multiplex several
telegraph transmissions, many gramophone disc recording
methods, record substances and devices.
Above
photo of Berliner
with Helicopter, Photo courtesy United States Air Force archives.
Having
been given the opportunity to research Berliner's
archive at the U.S. Library of Congress in Washington DC,
the Library and Archives in Ottawa Canada, I found a rich collection of
photographs of Emile.
It's no secret that he
loved being with his family and children in particular as
evidenced by the number of photos of Emile with his family.
In his last will and testament, Emile suggested that his
children and grandchildren, seek peace of mind above all
else for a happy life.
There's
some debate about Berliner's repeated
failure to recognize that certain business partners would
let him down. After much research, I believe Emile
made very conscious business decisions to 'do the right
thing' which may have cost him some financial success,
however his legacy of integrity, fair play and humanitarian
efforts prove he was one of the 'richest' men to come from the
gramophone and recording industry.
Many believe that Emile Berliner actually
moved to Montreal, Quebec Canada. He did not.
Although a frequent visitor, he continued to live in the
Washington DC area and remained an American citizen for the
rest of his 78 yr. life. Check out: Musée des
ondes Emile Berliner Montreal
and
U.S. Library of Congress- Berliner
Also see the
PhonoJack trip -1050 Lacasse, Musée
des ondes Emile Berliner Montreal. The Emile Berliner Museum
in Montreal. Color photos by PhonoJack (c). |
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